Steel Injection has topped Revocation as its Artist of the Month for September 2025, a becoming honor because the Boston-born excessive steel stalwarts gear as much as launch their most formidable and apocalyptic document but: New Gods, New Masters.
For twenty years, Revocation has pushed the boundaries of maximum steel, mixing technical precision with fearless songwriting. On New Gods, New Masters — their fifth launch for Steel Blade and ninth full-length total — the quartet delivers 9 blistering tracks of musical ferocity and lyrical gravity. Produced by frontman Dave Davidson and blended/mastered by Jens Bogren (The Haunted, Spiritbox), the album explores the chilling intersection of know-how, synthetic intelligence, and humanity’s unsure future.
“I have been very fascinated with the event of Synthetic Intelligence, and I am deeply involved the place this might lead humanity,” says Davidson. “Whether or not it is the sluggish march in direction of a technological dystopia or the all-out annihilation of our species.”
The tracklist boasts a powerful lineup of collaborations. Jonny Davy (Job for a Cowboy) lends inhuman vocals to the sci-fi horror-inspired “Cronenberged,” whereas Travis Ryan (Cattle Decapitation) amplifies the chaos on “Confines of Infinity.” Legendary Luc Lemay (Gorguts) closes the document with a brutal, emotional activate “Buried Epoch,” and acclaimed jazz guitarist Gilad Hekselman gives a mesmerizing outro solo on “The All Seeing.”
Longtime followers will acknowledge Revocation’s trademark mixture of precision riffing and conceptual depth, however New Gods, New Masters can be marked by a renewed vitality because of newer members Harry Lannon (rhythm guitar, backing vocals since 2023) and Alex Weber (bass), alongside drum powerhouse Ash Pearson.
As Davidson explains, the album title displays humanity’s ongoing seek for one thing to worship. “It appears as if that need is encoded in our DNA,” he says. “As science and our understanding of the universe enhance, the religions of the previous gods begin to change into out of date. Nevertheless, I consider we have changed our previous gods with new ones, worshipping know-how and making a cult-like idolatry of innovators.”
Marking their 20th anniversary, Revocation continues to evolve whereas staying true to their uncompromising imaginative and prescient. From their 2008 debut Empire of the Obscene to 2022’s Netherheaven – hailed as their “darkest, heaviest” work thus far – the band has toured over 25 nations and earned a repute as one among excessive steel’s most technically masterful acts.
The putting album art work by Paolo Girardi encapsulates the document’s themes with a surreal imaginative and prescient of a “new god” born of enamel and wires, affected by callbacks to Revocation‘s earliest days.
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