Almost three many years after it was abruptly shelved by their label, the misplaced Butthole Surfers album After The Astronaut is lastly getting an official launch.
On June 26, 2026, the long-mythologized file will arrive through Sundown Blvd. Data, giving followers their first likelihood to listen to the band’s supposed follow-up to 1996’s Electrical Larryland – the album that produced the choice radio smash “Pepper”.
Initially accomplished in 1998, After The Astronaut was pulled from the discharge schedule on the final minute by Capitol Data, which reportedly pushed the band to ship one thing extra “industrial.” However anybody accustomed to the group’s famously unpredictable catalog is aware of that was by no means a part of the plan.
“We had been fairly stoked to make one other album after the success of our earlier album and its single ‘Pepper,'” guitarist Paul Leary recalled. “Capitol Data was stoked to get that subsequent file till our relationship soured.”
Following authorized wrangling, the band was launched from the label’s roster and their contract was offered. “Hollywood Data purchased the album however needed to make modifications to it which was an uncomfortable expertise for us,” Leary stated. The reworked materials ultimately surfaced years later because the 2001 album Bizarre Revolution.
“Now we’ve the suitable to launch the unique recording the best way we supposed it to be with its unique title, After The Astronaut.”
Slightly than chasing the choice rock developments dominating late-’90s radio, the band leaned even deeper into their experimental instincts. Reacting to the grunge and alt-rock sounds filling the airwaves on the time, the trio – Gibby Haynes, Leary, and drummer King Coffey – veered into electronics, industrial rhythms, and psychedelic textures.
“After the Astronaut was a enjoyable undertaking,” Coffey stated. “We had been utilizing all of the digital toys at our disposal on the time, and it felt very similar to the creation of Locust Abortion Technician. We had been enjoying with new toys, creating issues that amused us with the crayons we had, and we weren’t nervous about radio airplay.”
After The Astronaut options Haynes on vocals and synths, Leary on guitar, bass, and keyboards, and Coffey on drum machines. The album was produced and blended by Leary, engineered by Stuart Sullivan at Arlyn Recording Studio, and mastered by Howie Weinberg.
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