El Cousteau is a product of the District in each means. On ‘Soiled Harry 2,’ he unpacks his difficult upbringing with a nuance absent from nationwide debate
A local of Washington, D.C., El Cousteau facilities town on Soiled Harry 2, even when rapping about his journeys outdoors of it.
Tyra Mitchell
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Tyra Mitchell
In 2017, the rapper GoldLink was lamenting a vanishing Chocolate Metropolis and doing his half to attempt to protect its tradition. His album from that spring, At What Value, handled Washington, D.C.’s native hallmarks like psychic landmarks in an effort to stave off the erasure he noticed encroaching, introduced on by the gentrification overtaking the world. “I really feel like we’re lengthy overdue for our story to be advised,” he advised The Washington Put up. “If it does not occur now, then all the pieces we had goes to be gone, and nobody will ever learn about it — it’s going to be like a misplaced metropolis.”
I used to be desirous about this concept whereas listening to Soiled Harry 2, the brand new mixtape from D.C. rapper El Cousteau. Eight years later, GoldLink’s considerations are much more legitimate, and but Cousteau’s rise seems like an affirmation that town’s essence can by no means really be misplaced. Spend just a little time together with his songs and it shortly turns into clear the place he is from and the way he takes that historical past with him. As his title implies, Cousteau is an explorer in his music, a jetsetter and reside wire — “Spin all over the world twice, got here again with a straight face,” he quips — however he is by no means too removed from dwelling. He is on Bladensburg Street from the primary to the fifteenth (“85 South“), and he is locked in from uptown to Wheeler Street (“Nitro“). Listening to him rap, you get the sense that his passage is twofold: He’s bringing D.C. to all his bucket-list locations, and he’s amassing trinkets on the highway to carry dwelling the tales they bear, the trip again at all times the extra necessary one.
Cousteau usually sounds between locations, his verses animated and antsy as if desperate to get someplace, however objects in his rearview are nearer than they seem. Because of this time-dilated depth notion, he is simply as prone to reminisce about packing a two-tone chrome, compact .40 1911 in highschool as he’s to lavish in taking his girlfriend to Venice for the weekend, decked out in Celine. Getting the place you are going can imply leaving some issues behind, and on “Ballad of France,” from his 2024 breakthrough tape Merci, Non Merci, he raps about lacking his grandmother’s funeral whereas out on the highway, attempting to advance his profession: “I be unhappy once I miss y’all cellphone calls ‘trigger I am distant from dwelling now.” In a way, his verses really feel like an effort to resolve these connections, leaving voicemail recaps from inside his trajectory as he makes an attempt to repay his street-level schooling with a stamped passport.
Soiled Harry 2 instantly alerts the place Cousteau has been and the place he is headed. On the opener, the rapper’s voice is blustery as he notes that he’s addressed as “sir” in label conferences now. He is simply as brazen rapping about holding somebody at gunpoint, or excessive velocity chases, or his cousin coming dwelling from the fed after six years. “You realize the place I am coming from / Rising up in that nook home,” he raps earlier than declaring, “I am a menace to society / I am a product of my setting / Grew up round n****s promoting dope, doing armed robberies,” the scene taking part in like a contemporary twist on the crooked native tales of Wayne “Silk” Perry and Rayful Edmond.
The times of these traffickers working round D.C., mythologized by crime docuseries like American Gangster, are long gone, and but, in current weeks, the District has been underneath a type of home siege as the results of such a fantasy. On Aug. 11, by govt order, the Trump administration put native police underneath federal management, bringing in federal legislation enforcement from businesses such because the U.S. Park Police, DEA, FBI, ATF and U.S. Marshals Service, with the acknowledged goal of cleansing up a “crime emergency.” “There shall be no secure harbor for violent criminals in D.C.,” White Home press secretary Karoline Leavitt stated in an announcement, including that the elevated presence was meant to guard harmless residents. (As many famous in response, violent crime in D.C. had been at a 30-year low.) There’s something placing about listening to a D.C. native rap about being a product of town’s crime amid a militant anti-crime push, as an on-the-ground survey of the streets at the moment underneath scrutiny. In Soiled Harry 2, you possibly can hear what it is actually wish to reside with crime, to be taken by each the drama and actuality of it, to maneuver on from it, and to not let it sully your love for dwelling.
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Cousteau, for his half, has been unambiguous about utilizing his music to unpack a sophisticated upbringing. “The complexities of life be so loopy typically, prefer it will get to the purpose the place the world be needing a motherf***** with a perspective that simply does not haven’t any bulls***,” he stated final November. “I ain’t about to provide you no gimmick, none of that s***. I’ll simply discuss to you about life. I’ll let you know my flaws and all that s***. … That very same honesty and empathy in my music helped me develop too.”
That mandate is evident on Soiled Harry 2, as is the expansion. The undertaking feels uniquely urbane, stylish and worldly, with out dropping any of its homegrown attraction. Cousteau is a contemporary dandy with a rigorously curated aesthetic, having modeled for Telfar and Wales Bonner and aligned himself with fellow style killa A$AP Rocky. Creatively, he is fallen in with new-age sages of lo-fi hip-hop like Earl Sweatshirt and MIKE, summoning their approaches and palettes (compact music — 13 songs, 28 minutes — and busy, full-bodied loop manufacturing), however his flows are possessed by the distinctive run-on vitality of DMV road rap and have a aptitude for the flamboyant. The fashion generated by this fusion is a swanky, snappy type of goon discuss, adrenalized but concentrated, verging on mumble rap. “This pen I acquired set up a life-style, comes absolutely furnished,” he raps on “Straight to It.” Few could make being a roughneck sound so positively pimped out.
At occasions, it may possibly really feel like Cousteau is rapping particularly in regards to the D.C. that the president is imagining. On “Words2LiveBy,” the Earl-featuring standout from Merci, Non Merci, he rapped, “I am in Northeast the place it is unsolved murders.” Soiled Harry 2‘s “Quid Professional Quo” is marked by ruthlessness: “Really feel like everyone towards me and ours,” goes one bloody-eyed line. Pay nearer consideration, although, and you may hear somebody who has internalized the Darwinism of the hood. Drug cash helped his mother purchase his college garments, he explains. D.C. is not a spot he’s attempting to flee; his city-hopping adventures should not an outlet however an impact, the results of all his enterprising. He carries and is carried by his hustler’s spirit, and he makes the case for it fairly plainly on “Rose Ave.“: “To afford the price of dwelling, that is what a n**** do crime for.”
However Soiled Harry 2 is about extra than simply getting it out the mud to reside within the lap of luxurious; it is about understanding that dwelling has instilled him with resolve, and that the journey bears all of the onerous classes. “Lodge in Los Angeles, I am from the capital, fifteen minutes from the trenches,” he raps on “A Good Giggle,” his murmurs slicing by way of the wailing pattern. On “Bergamot,” he is much more direct: “You have to be pleased with me / What I did from what I used to be given / Mirror on my previous like that / Speak in regards to the draw back prefer it’s the good things.” The tune is all in regards to the grind, working smarter, being spurred by doubters and reaping the rewards afforded by resilience — however on this second, he stews within the nuance for a second. Rappers have a means of turning tragedy into triumph, and Cousteau’s evolution is offered as a byproduct of a glass-half-full outlook. The masks slips for simply an immediate earlier than he snaps again to nonchalance: “No purpose to level any fingers / We cannot get into that s*** tonight.”
Soiled Harry 2 was launched on Sept. 10, the identical day that the emergency powers permitting for D.C.’s federal takeover expired. As of now, there was no vital withdrawal on the bottom: Armed Nationwide Guardsmen nonetheless stalk road corners and Metro stations, and ICE continues its patrols. Chocolate Metropolis is acquainted with aggressive policing, and Cousteau’s perspective feels consultant of the fortitude displayed up and down Bladensburg and Wheeler Roads. When he turns again to the grind after his transient spell of ambivalent reflection, speaking in regards to the draw back prefer it’s the good things, it feels nearly quintessentially D.C., particularly now. Similar to town and its natives, Cousteau is perpetually, uneasily, soldiering on.


