Sunday, March 22, 2026

How a 30-year-old techno-thriller predicted our digital isolation


In April, Mark Zuckerberg, as tech billionaires are so keen on doing lately, pontificated at punishing size on a podcast. Within the interview, he addressed America’s loneliness epidemic: “The common American has—I feel it’s fewer than three mates. And the common particular person has demand for meaningfully extra. I feel it’s like 15 mates or one thing, proper?”

Earlier than you’ve had a second to register the ominous approach through which he frames human connection in such bleak financial phrases, he provides his answer to the loneliness epidemic: AI mates. Ideally AI mates his firm generates.


“It’s like I’m not even me anymore.”
—Angela Bennett, The Internet (1995)


Thirty years in the past, Irwin Winkler’s proto–cyber thriller, The Internet, was launched. It was 1995, generally considered the yr Hollywood found the web. Sandra Bullock performed a social recluse and pc nerd for rent named Angela Bennett, who unwittingly uncovers a sinister pc safety conspiracy. She quickly finds her life turned the other way up because the conspiracists start systematically destroying her credibility and repute. Her job, dwelling, funds, and really identification are seemingly erased with some judicial tweaks to key pc information.

Bennett is uniquely—conveniently, maybe—nicely positioned for this identification annihilation. Her mom, within the throes of dementia, now not acknowledges her; she works from dwelling for purchasers who’ve by no means met her; her social circle is proscribed to a web-based chat room; she orders takeout from Pizza.internet; her neighbors don’t even know what she appears to be like like. Her most dependable companion is the display screen in entrance of her. A wild, unimaginable situation that I’m positive none of us can relate to.


“Simply give it some thought. Our complete world is sitting there on a pc. It’s within the pc, the whole lot: your DMV information, your Social Safety, your bank cards, your medical information. It’s all proper there. Everyone seems to be saved in there. It’s like this little digital shadow on each certainly one of us, simply begging for somebody to screw with, and you recognize what? They’ve completed it to me, and you recognize what? They’re gonna do it to you.”
—Angela Bennett, The Internet


Whereas the villain of The Internet is in the end a nefarious cybersecurity software program firm, the movie’s preoccupying concern is way more elementary: If all of our information is digitized, what occurs if the individuals with entry to that data tamper with it? Or weaponize it towards us? 

This era of Hollywood’s flirtation with the web is also known as the period of the technophobic thriller, however that’s a surface-level misreading. Techno-skeptic is likely to be extra correct. These movies have been broadly optimistic and enthusiastic about new expertise; it virtually all the time performed a task in how the hero saved the day. Their greater concern was with the people who had final management of those instruments, and what oversight and restrictions we should always place on them.

In 2025, nevertheless, essentially the most prescient a part of The Internet is Angela Bennett’s digital alienation. What was initially a collection of believable sufficient contrivances to make the theft of her identification extra plausible is now simply a part of our on a regular basis lives. All of us financial institution, store, eat, work, and socialize with out essentially seeing one other human being in particular person. And we’ve all been by way of covid lockdowns the place that isolation was actively inspired. For a complete era of younger individuals who lived by way of that, socializing nose to nose just isn’t second nature. In 2023, the World Well being Group declared loneliness to be a urgent world well being menace, estimating that one in 4 older adults expertise social isolation and between 5% and 15% of adolescents expertise loneliness. Within the US, social isolation might threaten public well being extra significantly than weight problems. 

The Internet appeared at a time when the web was solely faintly understood as the brand new Wild West … In that sense, it stays an interesting time capsule of a second when the probabilities to return felt infinite, the outlook cautiously optimistic.

We additionally spend growing quantities of time taking a look at our telephones, the place finely tuned algorithms aggressively foyer for increasingly more of our ad-revenue-­producing consideration. As Bennett warns: “Our complete lives are on the pc, they usually knew that I might be vanished. They knew that no person would care, that no person would perceive.” On this sense, in 2025 we’re all Angela Bennett. As Bennett’s digital alienation makes her extra susceptible to pernicious actors, so too are we more and more in danger from those that don’t have, and have by no means had, our greatest pursuits at coronary heart. 

Guilty expertise solely for an increase in loneliness—as many policymakers are doing—can be a mistake. Whereas it’s unquestionably enjoying a component in exacerbating the issue, its outsize position in our lives has all the time mirrored bigger underlying elements. In Multitudes: How Crowds Made the Fashionable World (2024), the journalist Dan Hancox examines the methods through which crowds have been demonized and othered by these in energy and means that our alienation is way more structural: “Whether or not by way of authorities cuts or concessions to the expansive ambitions of personal enterprise, a key cause now we have all grow to be a bit extra crowd-shy in current a long time is the extended, top-down assault on public house and the broader public realm—what are generally known as the city commons. From correctly funded libraries to nice, open parks and squares, free or reasonably priced sports activities and leisure amenities, secure, accessible and low-cost public transport, snug avenue furnishings and free public bogs, and a vibrant, assorted, uncommodified social and cultural life—all the most effective issues about metropolis life fall below the heading of the general public realm, and all of them facilitate and help glad crowds somewhat than unhappy, alienated, stay-at-home loners.”

Practically half a century in the past Margaret Thatcher laid out the neoliberal consensus that might body the following a long time of individualism: “There’s no such factor as society. There are particular person women and men and there are households. And no authorities can do something besides by way of individuals, and folks should take care of themselves first.” 

TOM HUMBERSTONE

In step with that philosophy, social connectivity has been outsourced to tech corporations for which the eye economic system is paramount. “The Algo” is our new, capricious god. In case your livelihood depends upon engagement, the temptation is to cease excited about human connection once you put up, and to assume extra about what is going to fulfill The Algo to make sure harvest. 

How a lot will you belief an AI chatbot powered by Meta to be your good friend? Solutions to this will likely range. Even in the event you gained’t, different individuals are already making shut connections with “AI companions” or “falling in love” with ChatGPT. The rise of “cognitive offloading”—of individuals asking AI to do their crucial pondering for them—is already nicely underway, with many highschool and faculty college students admitting to a deep reliance on the expertise. 

Past the apparent concern that AI “mates” are hallucinating, unthinking, obsequious algorithms that can by no means problem you in the way in which an actual good friend may, it’s additionally price remembering who AI truly works for. Lately Elon Musk’s personal AI chatbot, Grok, was given new edicts that induced it to forged doubt on the Holocaust and speak about “white genocide” in response to unrelated prompts—a reminder, if we would have liked it, that these programs are by no means impartial, by no means apolitical, and all the time on the command of these with their palms on the code. 

I’m pretty fortunate. I reside with my associate and have an honest group of mates. However I make money working from home and might spend the vast majority of the day not speaking to anybody. I’m not proof against feeling remoted, anxious, and powerless as I stare unblinking at my information feed. I feel all of us really feel it. We’re all Angela Bennett. Weaponizing that alienation, because the antagonists of The Internet do, can after all be used for identification theft. However it might probably even have way more deleterious functions: Our loneliness might be manipulated to make us eat extra, work longer, flip towards ourselves and one another. AI “friendships,” if engaged with uncritically, are solely going to supercharge this disaffection and the methods through which it may be abused.

It doesn’t should be this fashion. We will withhold our consideration, apply more healthy display screen routines, restrict our publicity to doomscrolling, refuse to interact with energy-guzzling AI, delete our accounts. However, crucially, we are able to additionally set up collectively IRL: be a part of a union or an area membership, ask our mates if they should speak. Hopelessness is what these in energy need us to really feel, so resist it.

The Internet appeared at a time when the web was solely faintly understood as the brand new Wild West. Earlier than the dot-com growth and bust, earlier than Net 2.0, earlier than the walled gardens and the idea of a “useless web.” In that sense, it stays an interesting time capsule of a second when the probabilities to return felt infinite, the outlook cautiously optimistic.

We will additionally see The Internet’s affect in trendy screen-life movies like Looking out, Host, Unfriended, and The Den. However maybe—hopefully—its most enduring legacy will probably be inviting us to go outdoors, contact grass, speak to a different human being, and set up. 


“Discover the others.”
—Douglas Rushkoff, Staff Human (2019)


Tom Humberstone is a comic book artist and illustrator primarily based in Edinburgh.

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