Sunday, March 1, 2026

How To Watch Depraved: For Good At Dwelling






Nothing says “Auld Lang Syne” fairly like a pair of enemies turned buddies (turned enemies turned buddies once more) crooning lovingly to one another. Precisely 12 months after “Depraved” conquered the field workplace on its approach to reaching the house media market in time to usher within the new yr, the latter half of director Jon M. Chu and Common’s two-part blockbuster Broadway musical adaptation, “Depraved: For Good,” is following go well with. As such, those that’ve been hoping to spend the ultimate minutes of 2025 watching Glinda (Ariana Grande-Butera) and Elphaba (Cynthia Erivo) tearfully sing the titular tune collectively from their front room will be capable of just do that, with the “Depraved” sequel set to premiere digitally on December 30, 2025 (on the regular pricing).

“Depraved: For Good” bought a way more combined crucial response than its predecessor, which did not come as a shock to longtime followers of the unique stage present (itself primarily based on Gregory Maguire’s dramatically completely different “Wizard of Oz”-inspired 1995 novel, “Depraved: The Life and Occasions of the Depraved Witch of the West”). However whereas “For Good” could have the identical shortcomings as its supply materials’s second act after which some, that wasn’t sufficient to show off the oldsters who’ve fallen in love with this specific iteration of Ouncess most well-known witches, because the “Depraved” follow-up nonetheless crushed it on the field workplace. It has, nonetheless, made noticeably much less cash in theaters than “Depraved: Half 1,” so ideally, that might be sufficient to persuade Common to carry off on charging full-speed forward with the, frankly, horrible thought of creating “Depraved 3.”

In addition to, those that want extra “Depraved” media will quickly have loads of that, as “For Good” will come loaded with additional goodies when it hits digital previous to its bodily media rollout on January 20, 2026.

Depraved: For Good Dwelling might be loaded with bonus options when it hits the house market

Put in your favourite cardigan and get comfortable in your sofa, as a result of it is time to get “Depraved” … and by that, I clearly imply “Depraved: For Good” might be loaded with bonus materials when it hits the house market. These goodies will embody a sing-along model of the cinematic musical (a necessity, after all!), a 50-minute deep dive into the making of the movie, deleted scenes (sure, consider it or not, “Depraved: For Good” had a fair longer runtime at one level), a commentary monitor from Chu, and far more. You’ll be able to try the checklist of additional options under:

  • MAKING WICKED: FOR GOOD – Step backstage for an unique take a look at the magic of Oz. By never-before-seen footage and candid interviews, uncover how the solid and crew introduced this epic story to life—from the artistry of constructing Ouncesbrick-by-brick to the problem of filming two sweeping productions without delay. A talent-led journey you will not wish to miss.

  • THE TRUE WIZARD – An exploration of why Jon M. Chu was the perfect director to convey WICKED: FOR GOOD from stage to display. See how his inventiveness as a filmmaker and fervour for WICKED are key components for the humanity and pleasure we really feel in each shot.

  • MORE THAN JUST A PLACE – A better take a look at Elphaba’s new music in WICKED: FOR GOOD.

  • THE GIRL IN THE BUBBLE – A better take a look at Glinda’s model new music for the WICKED: FOR GOOD movie. Ariana Grande, Jon M. Chu, Stephen Schwartz, and extra talk about how the music comes at such a pivotal second for Glinda why filming the sequence was such a feat of technical mastery.

  • KIAMO KO – Return to Kiamo Ko, the place the movie’s climax unfolds. Solid and filmmakers replicate on Elphaba’s embrace of her identification because the Depraved Witch, the poignant reunion with Glinda, and the bittersweet penalties that comply with on this emotionally charged sequence.

  • FEATURE COMMENTARY WITH DIRECTOR JON M. CHU



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