XG’s vocal trinity (Chisa, Hinata, and Juria) strip away the group’s signature hip-hop punch on “4 SEASONS,” delivering an acoustic meditation on loss that reveals the emotional vary typically overshadowed by their extra assertive tracks.
Launched December 24, 2025, as observe 9 on their debut album THE CORE, the track carries weight past its four-minute runtime.
Producer Chancellor penned this as a tribute to his late mom, reworking private grief right into a seasonal cycle of remembrance that listeners can inhabit with their very own heartaches.
The manufacturing, helmed by JAKOPS and Chancellor, rests virtually solely on guitar strings and vocal layering.
No lure hi-hats. No bass drops. Simply three voices navigating the uncomfortable area between reminiscence and acceptance.
The stripped-back association forces you to note particulars that will vanish below heavier manufacturing: the best way Chisa’s tone shifts from resigned to pleading inside a single phrase, how Hinata’s supply carries simply sufficient nasality to counsel actual tears somewhat than carried out emotion, the smoothness of Juria’s runs that in some way keep away from sounding too polished.
Chisa opens with verses that sketch the emotional terrain: “Scratching the floor, latching these phrases inside / It’s greater than only a objective, I do know you deserve it.”
The lyrics, co-written by Paulina Cerrilla, Paige Garabito, Xansei, and SEUNGHOO alongside the producers, resist melodrama.
They work by means of metaphor: seasons standing in for emotional phases, climate patterns mirroring inner states.
January arrives with the disorientation of pondering “it was summer time” whereas wind blows chilly. October rushes previous in a rush. Snow falls too early. The calendar turns into a loop, seasons biking by means of however by no means resolving the absence at their centre.
The refrain lands otherwise than you’d anticipate from a ballad about lacking somebody. There’s no cathartic belt, no vocal acrobatics meant to show something.
As an alternative, the three voices layer, constructing texture somewhat than quantity. “Not a day that goes by with out you on my thoughts / On a regular basis” is extra like an admission: the type you’d make to your self at 3am, to not an viewers.
Hinata carries substantial verse work all through, her tone sitting in that area between vulnerability and vocal management.
One Reddit critic discovered her supply too nasal, claiming it disrupted the track’s move. However that slight edge in her tone reads much less as technical flaw and extra as emotional honesty.
Excellent method would ring false in opposition to lyrics about being “caught within the center, unravel this riddle.” The track lives in messiness.
Juria’s contributions glow with the sort of pure vocal expertise that makes effortlessness look simple. Her traces in verse two (“Caught on this second, I simply want a minute, I’m wonderful / If just for a second, listening to you’ll be good for the evening”) coast on breath management and phrasing that turns easy admissions into one thing affecting.
The critique that she deserves extra moments to showcase her vary holds advantage. “4 SEASONS” makes use of her voice for texture and smoothness somewhat than fireworks. A acutely aware alternative that serves the track’s temper even when it leaves you wanting extra.
The bridge shifts the sonic palette. Chisa’s vocals get drenched in reverb, her voice bouncing off invisible partitions as she admits “I don’t know why I might by no means sleep / I attempted, however I couldn’t determine it out.”
The manufacturing mirrors being caught inside your personal head, ideas echoing with out escape. “Name me a idiot ’trigger who am I in charge? / So please simply keep” arrives not as plea however as give up.
Juria closes with the outro, rain imagery washing over the observe: “Rain drops fall down all seasons in some way / Can’t assist however consider you within the sound.”
The metaphor extends. Rain as fixed companion, as reminiscence set off, because the factor that connects all seasons into one lengthy ache.
“Ready for days to come back round” ends the track with out decision, as a result of grief and longing don’t resolve. They simply proceed, biking like climate patterns.
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The music video, launched alongside the observe, follows the members by means of seasonal transitions, touchdown on Christmas imagery.
Cosy winter aesthetics, scorching chocolate climate, the sort of visible shorthand for consolation that makes the emotional content material hit tougher against this.
At 4 minutes thirty-six seconds, the observe strikes shortly regardless of its gradual tempo. Testomony to writing that trusts listeners to really feel with out being advised what to really feel.
XG constructed their popularity on tracks like “GALA” and “HESONOO,” songs that allow their rap line dominate whereas vocals supplied melodic anchors.
“4 SEASONS” flips that formulation, giving the vocal line area to hold a complete observe. It’s their first correct unit track on the album, and the selection to go absolutely acoustic indicators confidence. They don’t want manufacturing methods or style fusion to carry consideration.
Chancellor’s revelation that the track honours his mom reframes each line. “Lacking you ever extra as I’m passing these / 4 seasons by” stops being summary metaphor and turns into particular grief: the best way holidays sharpen absence, how climate adjustments mark time passing with out the particular person you’ve misplaced.
The dedication doesn’t demand you learn the track by means of that lens, however figuring out it exists provides layers to already weighty materials.
“4 SEASONS” bets on simplicity. Acoustic guitar. Three voices. Trustworthy emotion. When executed nicely (and right here it’s), that directness cuts deeper than manufacturing wizardry.
Does “4 SEASONS” rank amongst XG’s most important tracks? That is dependent upon what you worth. It received’t convert anybody searching for the group’s aggressive hip-hop aspect.
It serves a unique objective: proof that their vocal line can anchor a observe with out rap verses or manufacturing flourish, that they will do susceptible with out sounding manufactured.
As a unit track, it succeeds utterly. As a second of reflection inside THE CORE‘s tracklist, it supplies crucial respiration room. As a showcase for Chisa, Hinata, and Juria’s vocal chemistry, it delivers.
The track doesn’t reinvent the acoustic ballad. It simply executes it with care, trusting that three gifted vocalists, stable writing, and real emotion shall be sufficient. In an trade obsessive about “extra,” that restraint feels virtually revolutionary.
